26 June – 13 September 2013
Blog post by Kellen Hoxworth
Using the online platform, Storify, we have attempted to document as much of the Twitter feed as possible. However, limitations have led to several unintentional omissions of material, producing gaps and lacunae. Simultaneously, though, the Twitter Archive captured various strands and threads of live discourse, most notably in the form of “re-tweets.” However, Storify has a maximum limit to how many items may be included in any single “story.” Therefore, in order to produced a “complete” archive of Twitter activity during the conference, we have omitted re-tweets to try to collect as much original material from the Twitter feed as possible. The final, “complete” Twitter archive can be found here.
Thursday, 27 June through Sunday 30 June 2013
Ongoing: Time Observed (i.e. 6 – 9 pm; noon – 12:15 pm; Wednesday-Friday, intermittently; etc.)
Toyon Courtyard/Old Union Courtyard
Blog Response by Yasmine Jahanmir
I was naïve to think a performance entitled Shuttle would be performed in a static location. It now seems like common sense that a mobile performance piece would be in motion.
I wandered into Toyon Courtyard at about 7:20am looking for the performance and found nothing. I circled the building just in case there was a second courtyard and again found nothing. I double-checked the conference itinerary and I was indeed in the advertised location, so I gave up, got coffee, and went to a panel. As I was leaving the panel, I passed the Old Union courtyard and came upon a tent and stacked wooden boxes in the grass; one of the boxes was labeled “shuttle.” Turns out they had decided to move and had left a note which I did not see. Seizing the opportunity to be mobile with my review rather than canceling it, I asked about the performance I had missed and was immediately invited into navigating the remnants of the performance.
Wednesday, 26 June 2013 through Sunday, 30 June 2013
PSi 19 at Stanford
Blog Response by Kellen Hoxworth
In addition to the various multi-media archives of the conference — including this one, the “PSi19 at Stanford” Facebook page, and the Twitter Archive — a durational, collaborative performance has taken place through the direction of spatula and barcode. Their piece, “Record of the Time,” offers a polyvocal series of temporal “snapshots” generated through random voluntary participation from conference-goers. Each registered attendee was offered a random time (mine was 0800) on a random date. Attendees were encouraged to share their thoughts, moments, activities, encounters, etc., from their assigned time with the knowledge that their text would be posted anonymously. Each post thus presents a slice of time in one individual’s experience of the conference as a whole. However, these slices, laid next to one another in a chronological progression chart an affective progression from anxiety towards exhaustion.